I really enjoyed The Forever War when I read it in 2010; the version which I read had a fantastic cover which is the collection, Peace and War, which includes the other Haldeman books on the same theme, Forever Peace, a companion novel, and Forever Free, the sequel which I describe (accurately) later in this diary as “batshit fucking loco”. I’ve put together several entries from my diary about the novel, with the dates attached.
24th May 2010
In reading The Forever War I have become much, much more interested in proper sci-fi. The book, thus far, is brilliant, conveying a proper sense of isolation, of distance, and of the difficulty involved in long distance space travel, and especially war. There’s a lack of distinct otherness to the alien life-forms and world – although the cold, empty planet on which the Privates train is certainly well feeling. It’s mostly that the Taurons, as bi-pedal two-armed upright-walking creatures are just a bit too close to human for me. Insofar as interstellar travel is concerned this is certainly the best sci-fi I have ever read.
But I suspect that my interest grows for other reasons, too. A Scanner Darkly is probably the best Philip K. Dick book I’ve read [this remains true], and I have been reading a lot of Interzone too. But I am starting to believe that while fantasy can and perhaps should [be able to] get away with principally being a romp (as Retribution Falls and The Lies of Locke Lamora are) sci-fi needs to be more than that. The Forever War is a commentary on the Vietnam war (and by extension all wars) by a veteran; A Scanner Darkly by a veteran of the war on drugs, showing that the side on which he fought was the wrong one.
26th May 2010
Some initial thoughts upon finishing The Forever War: it is good, very good. One of the best books that I have read so far this year, and certainly the best that isn’t by Ursula Le Guin [which were The Earthsea Cycle, in its entirety by this point I think]. I’m not too certain about its attitude to homosexuality, but given the contexts of a) the time it was written and b) its use in the book [as an alienating factor for the veterans] I think that I can understand it. I’m not certain that it’s meant to be condemnatory, rather than just alienating.
I like the ending, even [obviously, edited for spoilers]. I think that works, as does most of the rest of it, especially the [spoilers deleted]. It was a satisfying conclusion.
The warfare, the technology, the extraterrestrial setting – I liked all of that. The sense of distance, isolation, and loneliness I thought were fantastic. My internal imagery was usually better [in my opinion] than, say, the comic book, and though Alien is probably the closest film adaptation and despite my love of Blade Runner, I’m not certain that even Ridley Scott should bring this to the screen. [As he was rumoured to be doing at the time; this was before Prometheus, so I didn't complain about this film, despite the opportunity to do so. It's rubbish!]
My criticism, ironically, is mostly to do with (so far as I can tell) the novella “You Can Never Go Back”, which wasn’t in the original publication of the book because it was too dark and negative. If it is the earthly part of Lieutenant Mandella the it’s mostly because of the treatment of homosexuality, but I wasn’t so keen. It did, however, provide the right sort of sense of isolation that I thought was necessary for the story. [The soldiers go home to a world that has moved beyond them and changed, which is now unrecognisable - they can't stay, and re-enlist in the army, as I recall.]
Other than that, there were some minor inconsistencies which, frankly, I’m willing to ignore. Generally, I really liked it, and I’m looking forward to reading some more classic sci-fi this year.