A Case of Conscience, Alien Franchise, Angel, China Miéville, Ekumen, Hainish Cycle, James Blish, Joss Whedon, Lucretius, Mary Doria Russell, Prometheus, The Dispossessed, The Empire Strikes Back, The Sparrow, The West Wing, Ursula K. Le Guin, Yoda
I started to write this blog immediately after I had written the previous Prometheus blog, which can be found here. That was some time ago. My life has kept me away from writing this blog and the film has faded into memory a little, now generally only refered to as a joke (saying “So that’s what Prometheus was about!” whenever someone says something profound, or stupid) or as a proverbially bad film. Furthermore, what I wanted to do with the blog changed after I read Film Critic Hulk’s very long analysis which I felt covered everything which needed to be said about why the film was bad, and what needed to be done with it.
After reading The Sparrow by Mary Doria Russell I began to have some more profound thoughts about the questions prodded by Prometheus. One of my problems with The Sparrow was that the aliens did not feel to me to be suitably alien, as they engaged in what was basically a Capitalist system, and while there were a couple of fundamental differences the aliens were fairly similar to humans, with similar motivations and desires. One of the beautiful things about the Alien franchise was that the xenomorphs were so completely alien in so many ways. The lethal, perfect predator desired by The Company, evolved for survival. It did not appear to be intelligent in the way that we are, but it was smart and skilled. It adapted. In Prometheus we learned that, contrary to known facts about the evolutionary process, they shared the same creators as us, which were basically massive humans (even having the same DNA!).
In the Hainish Cycle/Ekumen books I find that Ursula Le Guin has a good excuse for the similarity all the species have to human beings: they are descended from the same ancestors, the Hain, who colonised the universe in a far distant past. Some, such as the Gethen, appear to have been the result of genetic engineering, while the Athsheans have evolved to be very different indeed. There differences are intended to reflect on aspects of Earth society and this works. I suppose that in The Sparrow they are intended to look very similar, but to turn out very, very different. In Alien, it seems to me, they were intended to be absolutely terrifying. In Prometheus they were designed to… what? To generate a question. To ask “what if we were made by another species?” But the answer is provided by the film: “Ah, but who made them?” It’s not actually an answer. It’s a deferral of the question. It’s like asking what a Lego structure is made from and answering “Lego”. The real answer is plastic, but it’s being deferred to sound clever, even though it isn’t.
With the xenomorphs ruled out the most alien aliens I know of are the Areikei/Hosts in China Miéville’s Embassytown. The Areikei are very different to the human beings whom they host but are changed by their contact with the outside world in a number of ways which make them more similar to humans, but they are still incredibly different in both biology and social structures. This is perhaps due to my ignorance with a lot of SF but they seem very alien in ways that I can’t see being easily topped. But what, then, is the point of creating an alien species? It is different in Embassytown, which explores the nature of language, to the use in Prometheus, which is closer to The Sparrow and A Case of Conscience by James Blish. These three narratives aim to ask questions of the place of human beings in the universe and in relation to god when there are other intelligent beings in the universe. One of the key questions, both in the fictions and for the Catholic Church, is the importance of the crucifixion in the wider universe.
I didn’t notice the correspondence in Prometheus between the disaster which occurred on LV-223 and the crucifixion – that they were both 2000 years ago. Once this is pointed out one can begin to see that the problems began to occur because humanity killed the Engineer’s embassy to Earth who was Jesus Christ. I’m not entirely certain what Prometheus is trying to say with this. Catholic dogma always taught me that the crucifixion was necessary to the forgiveness of human beings for the sin of Adam (who they also taught me was fictional). Also, it is followed by the resurrection. Removing the divinity of Christ from the question and the resurrection as the proof of the power of god’s love seems to me to render the story of Christ fairly meaningless. He is not much more profound than any other ancient philosopher, it’s just that his story thrived in a way that others didn’t. It suggests to me a great ignorance about the religions of the world in the early Roman Empire – why, for example, was it not Mithras, or Alexander of Abonoteichus who was the Engineer, and the rejection of their teachings the problem? It seems to me that Christ has done very well, and being annoyed because he was sacrificed (when individual Engineers had been sacrificed to create life anyway, in the opening scene of the film) disregards the fact that he was the most influential figure on the last 2000 years of human history. Although I suppose portraying god as a petty, stupid creature actually comes as close to the god in which I could actually believe as any representation of god I have heard.
The Sparrow and A Case of Conscience never directly reference the crucifixion, as I recall. Jesus plays something of a side-part in their narratives; perhaps analogous to contemporary Christianity? But they do question, if there is other life in the universe, what part do they play in creation? Like Prometheus they don’t really provide an answer – how can they? We have not yet encountered extraterrestrial life and it is questionable whether religious belief will play much of a role if we actually do so. The likelihood is generally decreasing. But they ponder the question in a way Prometheus completely fails to do. Blish mentions that the Catholic Church has guidelines for the treatment of extraterrestrial life, but the internet is not very forthcoming with them. It involves the question of whether the beings have a soul; if they are fallen (as we are) in which case they need to be saved; if they are not fallen then how do we interact with them? A Case of Conscience was written before he knew of this guide, if it exists; The Sparrow appears to exist in ignorance of it.Prometheus doesn’t even seem to think that it will cause a problem, except in the sense of deferring the question which I mentioned above.
Something which is acknowledged by The Sparrow but which appears beyond the grasp of Prometheus is that science and religion aren’t actually in competition. Not really. The argument is that while science can tell you what happened it cannot tell you why it happened. As The Sparrow puts it (and I have heard elsewhere, an In Our Time on the subject can be found here) “God is in the why”. This is a fault inherent in both modern religious thinking – which tries to insert god into science where it doesn’t belong, as in the intelligent design hypothesis – and in modern atheism – which in general can prove that religion probably isn’t right, and has no real basis, but can’t actually prove it wrong in most cases. I believe that there are actually some biological arguments to suggest that religion is actually wrong, but I don’t know them so I won’t come down on that side of the argument. Instead, I will resort to popular culture. For you see, the real answer to this question (which a lot of proper atheists will accept and probably tell you) comes from a lesser-known quotation of the Jedi Master Yoda in the film The Empire Strikes Back:
There is no why.
This is fundamental to being an atheist. If you think there is a reason why, then you are agnostic. That’s OK too. Here we have reached the state of philosophy, and there are no right answers. Or rather there should be no way of confirming the right answers. If a god appeared to me and explained all the whys to me in a logical way which made sense to me I’d start believing that there was one. Or would I know there was one? I’m afraid my philosophical education was cut short when I decided archaeology was the most interesting part of Classics.
Does this make life pointless? Is this a negative attitude? I believe Jean-Paul Sartre had something to say on the matter, but in this circumstance my actual source for my personal philosophy is Mr Joss Whedon again,* in his second greatest television series (bearing in mind I haven’t watched Dollhouse) and, if you are reading this Jonathan, this is a SPOILER ALERT but I am going to remove character names and not mention where it is from to reduce that, if you want to read it nonetheless.** This is what I think:
“[…] it’s like nothing I do means anything.”
“Mean anything. In the greater scheme, in the big picture, nothing we do matters. There’s no grand plan, no big win.”
“You seem kind of chipper about that.”
“Well . . . I guess I kind of worked it out. If there’s no great glorious end to all this, if . . . nothing we do matters . . . then all that matters is what we do. ‘Cause that’s all there is. What we do. Now. Today. I fought for so long for redemption, for a reward, finally, just to beat the other guy. But I never got it.”
“Now you do?”
“Not all of it. All I want to do is help. I want to help because I don’t think people should suffer as they do, because if there’s no bigger meaning, then the smallest act of kindness is the greatest thing in the world.”
“Yikes. Sounds like you’ve had an epiphany.”
“That’s what I keep saying, but nobody’s listening!”
So where to conclude? That I got more out of an episode of one of Joss Whedon’s shows than I got out of the entire film Prometheus? Is that such a surprise? I think I get more out of that than I get out of most of the ancient literature I’ve read, except perhaps Lucretius, which taught me not to believe in an afterlife and won me a lollipop from Josie Long. Perhaps that asking the question isn’t enough, proposing an answer is necessary? But I have admitted to believing that there is no answer. Accepting, then, that there is no answer. But this is not good for everybody. Some people want an answer. Sometimes it is hard, believing or understanding the universe to be pointless.
But perhaps it is this. I loved The Sparrow. I liked A Case of Conscience. And I was raised Catholic. While I was wondering around colleges the other day I commented to the girlfriend that I was glad we’d had religion, as it had produced so much or beauty. And it still does, if you would like to look at Aaron Sorkin’s question of theodicy in the excellent West Wing episode “Two Cathedrals” below. I don’t believe in a god, and I don’t think that it is necessary to do so. But I do think that it is essential to come to that conclusion yourself, and to have a reason, and to understand that it means no reason. But no reason doesn’t matter. If there’s no reason, everything is important.
Which perhaps is the more scary answer, after all.
* This episode of this particular series is actually written by Tim Minear, but as he was an executive producer on Firefly and worked on Dollhouse too, we can say fairly strongly that he was close to Mr. Whedon.
** Obviously it’s from either Buffy or Angel, as you’ve seen Firefly and Dollhouse (which I haven’t). And a later point than I know you to be at. But you can get an idea about it, if you don’t read the quotation, from the commentary on Objects in Space, if you have the Firefly DVDs. Or if you know anything about Sartre, which neither I nor Joss Whedon really do.