Twenty Seventeen was a strange year. After the political turmoil of 2016, we started facing the repercussions of those choices, which were largely – but not exclusively – terrible. From my perspective as a citizen of the UK (albeit one who lives in Canada), the political highlight came just after 5pm EST on Thursday 8th June when, after a dispiriting build up the exit poll from the General Election revealed a hung parliament with Labour gains in extraordinary places. Nevertheless, this was not a victory (depending on how you define victory, that is); it was, however, a salient reminder that we must not give up hope, and that fighting towards a better future is always a good idea.
Nearly a year after it originally aired, today I finished watching season 1 of Wynonna Earp, the television show based on the comic book series of which I had never heard. One of my favourite things about the show is that it is not pretentious or smugly confident about its own quality. I had been watching Riverdale, a show that is so completely convinced of its own cleverness that even the prettiness of Cole Sprouse can’t save it; although I associate this smugness more with Doctor Who and Sherlock and it is precisely what led me to give up on those shows. Wynonna Earp seems to have accurately approximated how good it is – a bit silly, low budget, but fun and with a solid story – and to have embraced that level of quality to allow it to have both a sense of humour while taking its ridiculous core concepts seriously. It’s a balance that I haven’t felt a genre show has got quite right since Buffy the Vampire Slayer (with the possible exception of Hannibal, if you consider it to be a genre show). It’s not the only comparison one can make between Wynonna Earp and Buffy, and part of the reason I like Wynonna Earp so much is because it comes out of these comparisons surprisingly well.
This post contains spoilers for Buffy the Vampire Slayer (primarily season 7); I don’t think anything I say about Wynonna Earp could be considered a spoiler.
Not really a review. Contains SPOILERS, I guess. Continue reading
This post will contain spoilers for Orphan Black seasons 1-3, Buffy the Vampire Slayer seasons 3-9 (yes, including the comic book continuations to a point), and Angel seasons 1-4. And, it turns out in the writing of it, Being Human series 1-3 (the UK version).
I had originally planned to write this blog after the penultimate episode of Orphan Black season 3 (“Insolvent Phantom of Tomorrow”), but I watched it too late in the week and so I waited until I’d seen the finale. The finale doesn’t change much of what I have to say, although it does provide a fun quote and some additional material. What I have to say is this: Helena is becoming a problem. Here is why.
Great science fiction stories should leave the readers asking questions. This statement is probably true of all stories, but I’m particularly interested in science fiction, so I’m focusing on those. In the past week or so I’ve had intense discussions about science fiction television shows and films, and I’ve thought intense things about science fiction books, but I lack others who have read those books to have quite the same kinds of discussion. I’ve posted the discussion I had with a friend on Twitter about the Star Trek: The Next Generation episode “The Measure of a Man” (Season 2, episode 9) before (and here is it again), but even now I’m having new thoughts about that episode – about the importance of addressing ideas we hold to be true (in this case, the consciousness of Data) against those who do not agree in a way which allows us to examine our viewpoint and make it more forcefully. I wish I could do that too, sometimes. I’ve been reflecting on how stories encourage us to ask those questions, how they might lead us to certain answers, and what it is useful to ask in science fiction; in particular recently I have been thinking about the question of contact with alien life.
There are two principal sources of these thoughts: the first was reading the Hugo Award nominated The Three-Body Problem by Liu Cixin (translated by Ken Liu); the second was this article in February’s Clarkesworld magazine, which I only just got around to reading. (In the background, I’ve been re-watching The X Files too, in which contact comes up a lot). In the Clarkesworld article, Mark Cole discusses the limited examples of “friendly aliens” in science fiction (mostly cinema; there’s no discussion of the Federation or Ekumen or any other alliance of worlds) and suggests that stories of conquering aliens are more common because we can believe that from human nature and history. I’m not completely convinced that human history is quite so replete with conquerors and violence (perhaps European history) rather than co-operation and allegiance – perhaps it’s just that the conflict receives greater emphasis in our history books? But I also feel that this interpretation is a far too literal reading of contact stories. The Three-Body Problem discusses the impact it would have on human society if the existence of extraterrestrial life were discovered, which is a much more interesting idea. In this scenario, human beings discover that they are not alone in the galaxy and have to come to terms with that knowledge. The approach here is more interesting because it looks at how human beings behave, requiring no idea about the alien life at all – because we have no idea what alien life is like, but we know how human beings react to the unknown, or to new knowledge. Personally, I find the questions about how human beings behave much more interesting than inventing an alien conqueror.